The 1950s witnessed probably the most significant theater puppetry music artists in Latin America. In Mexico, the instructor Roberto Lago (1903-1995), co-founder associated with Teatro Guignol which operated amongst the end associated with the 1940s as well as the 1950s that are mid created the Grupo El Nahual with Lola Cueto (1897-1978). Lago proved an influence that is great only inside the nation but additionally in Venezuela. Irrespective of his research work with the origins of Mexican puppetry, he had been among the great dramaturges of children’s theater. Their magazine, La Hoja del titiritero independiente (The Independent Puppeteer Newspaper) had been a standard and brought many Latin US and puppeteers that are worldwide contact. Mexico had been one of several nations that distinguished it self simply by using puppetry for literary promotions where the character of Don Ferruco, developed by Gilberto Ramirez Alvarado, played a role that is vital.
The Argentines Mané Bernardo (1913-1991) and Sarah Bianchi (1922-2010) had been additionally fundamental to your advertising of puppetry arts in Latin America, going to the essential regions that are remote Argentina along with other nations. Functions developed by Mané Bernardo are extremely respected and examined in universities while her pupil and buddy Sarah Bianchi’s strive for this remains a reference for many puppeteers day.
The itinerant tradition is certainly caused by represented by Javier VillafaГ±e (1909-1996), whom travelled the complete sub-continent along with his cart, leading to the introduction of puppetry arts through their programs, seminars and workshops, particularly in Uruguay, Venezuela and Chile. He additionally left a repertoire that is important along with his Los Angeles Calle de los Fantasmas (the road of Ghosts) happens to be frequently done for quite some time by a number of troupes.
Other Argentines – Juan Enrique Acuña (1915-1988), and also the brothers Héctor and Eduardo Di Mauro – additionally played roles that are important disseminating puppetry, in specific in Venezuela and Costa Rica.
In central countries that are americanHonduras, Guatemala and particularly the Dominican Republic), puppet theatre catered to children and was nurtured in schools.
The scene that is contemporary
A big amount of troupes presently in presence had been produced within the 1970s. After several years of experimentation, these teams have finally get together when you look at the seek out a certain visual language beyond the assorted methods of manipulation. In reality, throughout the 1990s puppet theater gained power across Latin America. Along with glove that is traditional, other strategies – rod puppetry, string puppetry, shadow theater, black colored (light) theater, blended methods, noticeable manipulation, item theater, tabletop puppetry – are increasingly being explored. Actors, things, puppets, dance and music intermingle in present styles in European countries together with united states of america. Another strategy in vogue is misteriosas that is“las cajas (mysterious bins) where in actuality the spectator views a quick performance through a peephole. The pioneers in this domain are Mariana Frare in Rosario, Argentina, Mónica Simões in Brazil, together with Baúl Teatro in Monterrey, Mexico. New organizations of puppeteer-storytellers, like Las Mentirosas in Mexico and Zaguán in Chile, have actually revisited and integrated within their work traditions that are ancient Guatemala and Honduras called perras.
Puppetry can be used to a larger extent in neuro-scientific therapy, to treat psychiatric problems, muscular disease or bone tissue infection, and it is especially practised in Uruguay, Argentina, Brazil and Chile (see Society and Puppets – Social Applications of Puppetry).
Apart from festivals, an amount of museums are helping popularize puppet that is local. In Argentina, the Museo Argentino del TГtere was made in Buenos Aires by ManГ© Bernardo and Sarah Bianchi. Meanwhile, another museum is made in Los Angeles Plata by Moneo Sanz. In Brazil, you will find the Museu do Mamulengo, the Museu Giramundo created at Belo Horizonte in 2001, together with Museum of Popular/Folk Art, Museu Casa do Pontal, operating out of the borders of Rio de Janeiro. The Museo-Teatro La Casa de los TГteres de BaГєl Teatro in Monterrey, the Museo Rafael Coronel at Zacatecas, www.hookupdate.net/nl/latinomeetup-overzicht and the Museo del TГtere de QuerГ©taro (Puppet Museum of the State of QuerГ©taro) in Mexico, there are the Museo Nacional del TГtere – Huamantla. In Uruguay, the Museo Vivo del TГtere (residing Museum of Puppetry) are located in Maldonado. La DignificaciГіn del Teatro de MuГ±ecos (FAMADIT) in Chile, there is the travelling exhibits of the FundaciГіn para. Venezuela has got the TГteres that is private Artesanales Mundo (Puppet Craft World) owned by Norma R. Bracho. Forum and web sites are increasingly being dedicated to puppetry, specially in Argentina, Brazil and Mexico.
In whatever kind, the art of puppetry in Latin America is alive and well without any hint of vanishing any time soon.